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The Synth-Pop Duo's Musical Force Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) created Soft Cell alongside Marc Almond at Leeds in 1977

The talented musician, a key member of the groundbreaking 1980s synth-pop duo Soft Cell, has died at the age of 66.

Together with vocalist Marc Almond, the duo scored a global success with their version of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is regarded as a seminal work of synth-pop.

He later founded the innovative electronic act The Grid, who secured popular acclaim with 1994's the hit Swamp Thing.

Ball died peacefully in his sleep at his residence in London on October 22, just weeks after performing a headline show with Soft Cell at the Rewind music event in the Thames-side town.

Recent Health Challenges

During that show, Ball performed in a wheelchair, as he had for the previous couple of years, after a spate of ill-health.

"I ended up injure myself significantly," he commented in 2023. "I broke spinal bones in my back and cracked about five ribs and broke my wrist."

Following contracting pneumonia and developing sepsis, he was placed in an medically-induced sleep and stayed in hospital for seven months.

However, he had been in "high spirits mentally" over the summer, as he was developing a new album with Almond, titled Danceteria, which is set for publication next year.

"He was concentrated and so happy with the latest project that we actually completed only a short time ago," stated the vocalist in a heartfelt message.
"It's so sad as next year was all set to be such an uplifting time for him, and I take some solace from the knowledge that he heard the completed album and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the electronic music scene in the early 1980s

Heartfelt Messages

Almond described his collaborator as "an exceptionally talented creative mastermind", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.

"Thank you Dave for being an immense aspect of my life and for the music you created with me. I wouldn't be where I am without you."

His Grid bandmate from The Grid, shared his condolences, remembering Ball's "constant humor" and "steadfast support".

"Being in a duo with someone is different from being in a group, the bond is very tight," he added.
"That was the case with us. We experienced so many remarkable, incredible, life-affirming experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at a radio station in recent years

Early Life

Brought into the world into a one-parent family in Chester in the late 50s, Ball was given up for adoption when he was a year and a half of age.

He was raised in the seaside town with his new family his caregivers, who changed his given name from Paul to his adopted name, together with his sibling Susan, who was similarly welcomed.

He encountered Almond at Leeds Polytechnic in the late 70s, where they were both learning art. Inspired by a shared love of Northern Soul, they formed Soft Cell the same year, and quickly produced an EP.

Musical Partnership

The pair were an unusual combination: Ball was the quiet technician, bent over his keyboard, while Almond was a charismatic showman, all glitter and eye-liner; but they achieved a unique creative synergy.

Ball had developed a fascination with synthesizers after viewing the band Kraftwerk appear on a television program Tomorrow's World, and began to marry dark electronica to the catchy tunes Almond was composing.

Their signature song became the UK's second biggest-selling single of the early 80s, shifting millions of copies globally. Alongside hits by other artists, Human League and Ultravox, it helped paved the path for the electronic music style of the 80s.

The track was also included on their first album, their initial LP, which spawned two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the separate release, Torch, which peaked at number two in 1982.

Soft Cell in the studio
The pair were working on new material right up until Ball's passing

Professional Journey

Fame had its benefits. "I enjoyed being able to afford my first home, having money and travelling, which might seem like a Miss World," Ball not long ago shared with a publication.

But it also caused challenges. "Newfound wealth meant we could afford newfound drugs to alleviate the monotony" of press appearances and TV performances, Ball said.

"I realize that's a cliché, but it's a truism for a good reason, because it works for so many musicians."

Amidst the hedonistic lifestyle, the duo were also drifting apart, but they managed to create a follow-up classic album - the wayward, tense and fittingly named The Art Of Falling Apart.

They released one more LP, their 1984 release This Last Night In Sodom, before dissolving the group to concentrate on other projects.

Almond proceeded to have a prosperous individual path, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with ambient pop over a enduring partnership.

Later Work and Comebacks

Soft Cell came back together in the early 2000s, releasing the charting album Cruelty Without Beauty.

After a further break, they reappeared in 2018, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the O2 Arena on September 30, 2018.

However, they stayed active, creating their fifth album, Happiness Not Included, during the pandemic Covid lockdown.

Ball recently described the band's upcoming release as a homage to the NYC nightlife they frequented while recording their first two albums.

He noted that his period in hospital had influenced the band's sound.

"I had unusual memories when I was in and out of hospital because I was on pain medication," he explained to a music magazine.
"The new songs are a digital reflection of the sounds in my head from that time.
"In parallel, it's about the times we had in the 80s."

The final mixes were finished only a short time before Ball passed away. It is due for release in the spring of 2026.

The writer

John Johnson

Wildlife biologist and conservation advocate with over a decade of experience studying sloths in Central America.

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