Helmed by Bristol sound co-founder the musician-producer, this sharp-edged if slight first film casts a critical gaze on 90s rave culture. Self-serving pillhead David (Marc Bessant) initially steals from an passed-out supplier, then in another flashback tries to break into his own family home. In no time, he's upside down in the remains of his car in a forest – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for townies, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Duel
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The central theme – that the ecstasy generation were primarily out for number one – is clearly conveyed. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman arrives, enraged after David kills his dog. Nevertheless, a darkly funny standoff unfolds – David eager to get away; the Poacher withholding his jerrycan of scrumpy, intent on dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Promo-Inspired Sensibility
Just a single key story turn, but it leads to a hilariously staged rampage on the woodland paths that dips close to folk horror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full lysergic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.
The film releases in UK and Irish theaters from 17 November.
